HotTrod was formed back in 2001 originally with the sole purpose of performing courtroom dramas based on real-life court cases presided over by Sir Walter Scott when he was Sheriff Depute of Selkirkshire. Over the last twenty years, the courtroom dramas, written mostly by John Nichol and performed in the original Selkirk Sheriff Court, have been enjoyed by many thousands of visitors to Selkirk.
More recently, there has been a significant departure from truly historic cases and several dramas have sprung purely from Nichol’s fertile imagination. Cases to date include: The Tall Tale of the Tushielaw Trout; The Dancing Master’s Bet; The Hare in the Girn of Wire; The Sabbath Breakers; Mutiny Over a Bounty; The New Manse; A Graveyard Grievance; The Seamy Wark o’ the Weaver; The Tailors’ Banner; The Lame Excuse; The Wonderful Cow; The Bolting of the Jolted Colt (by Toby Ross); The Strange Encounter; The Magnificent Laird; The Lady Varnishes; Terrier on the High Seas, The Stone Gatherers.
In 2016, John was commissioned to write a play based on the diaries of Selkirk doctor, John Muir – painstakingly transcribed by the dedicated staff at the Heritage Hub in Hawick. The play was toured around the South of Scotland under the banner of HotTrod and received excellent reviews.
HotTrod Theatre Company has since toured extensively with Wandering Willie’s Tale and are enjoying their current project, El Duglas.
THE PLAY
Back in the late nineties, John decided he would like to tell the story of Sir James Douglas - the ‘Good Sir James’ to the Scots, and the ‘Black Douglas’ to those south of the border. The play was, however, written, put aside, rewritten, put aside again, many times over the years.
John recalls, ‘it was a two-hander, a solo show, a show with music, a show without music….etc. The momentum waned and the scripts gathered dust - that is, until our tour of Wandering Willie’s Tale in 2023. Iain Fraser’s ingenious musical interpretation for Wandering Willie’s Tale gave atmosphere, depth and authenticity to the performance, and I knew that music would be the catalyst for completing the development of the Douglas show.
Taking a fresh look at the previous scripts, the character of Robert the Bruce featured highly, and having such a prominent role in Douglas’ story, I thought, who better to lead us through the tale of Sir James Douglas than the Bruce himself? Both Iain and Alistair (my fellow HotTrodders) declared themselves enthusiastic about the idea and so the final adaptation of El Duglas quickly evolved’.
Why El Duglas? Every year, in the Andalucian town of Teba, an event is held in honour of the heroic deeds of Sir James Douglas who fought and died there in the Battle of Teba in 1330 whilst en route to the Holy Land with the embalmed heart of his friend, Robert the Bruce. Sir James was Bruce’s ablest lieutenant and the most professional soldier of his day, whose menacing resourcefulness and outright genius undoubtedly led to victory in the Scottish Wars of Independence.
The show begins with Juan coming in from the Andalucian sunshine to take a break from his role as Sir James Douglas, just after a parade through the streets of Teba during the Douglas Day celebrations. Removing his surcoat, Juan becomes the Bruce, who then takes up the story…..
En mil trescientos treinta de camino tierra santa (In 1330, on his way the Holy Land)
Duglas lucho por el Rey Alfonso (El Duglas fought for King Alfonso) Pero cayo en batalla por Dios y el Rey (But fell in battle for God and King)
Abatido por los Sarracenos (Killed by the Saracen).
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